{"id":150,"date":"2019-03-12T21:28:28","date_gmt":"2019-03-12T21:28:28","guid":{"rendered":"http:\/\/kennethkemble.com\/?page_id=150"},"modified":"2021-04-05T17:19:43","modified_gmt":"2021-04-05T20:19:43","slug":"biography","status":"publish","type":"page","link":"https:\/\/kennethkemble.com\/es\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:8%;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class=\"fusion-builder-row fusion-row\"><div  data-animationtype=\"fadeInLeft\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_4 fusion-builder-column-0 fusion-three-fourth fusion-column-first fusion-animated 3_4\"  style='margin-top:0px;margin-bottom:0px;width:75%;width:calc(75% - ( ( 4% ) * 0.75 ) );margin-right: 4%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-text caption\"><p>About Kenneth Kemble<\/p>\n<\/div><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-1 fusion-sep-none fusion-title-text fusion-title-size-three\" style=\"margin-top:16px;margin-bottom:16px;\"><h3 class=\"title-heading-left\" style=\"margin:0;\"><p class=\"p1\">Kenneth Kemble is born in Buenos Aires, on 10<span class=\"Apple-converted-space\">\u00a0 <\/span>July, 1923.<\/p>\n<p class=\"p1\">His childhood passes in Mart\u00ednez, in the same house which he will live his whole life.<\/p><\/h3><\/div><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator sep-single sep-solid\" style=\"border-color:#181818;border-top-width:2px;margin-top:12%;margin-bottom:4%;width:100%;max-width:32px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_4 fusion-builder-column-1 fusion-one-fourth fusion-column-last fusion-no-small-visibility fusion-no-medium-visibility 1_4\"  style='margin-top:20px;margin-bottom:20px;width:25%;width:calc(25% - ( ( 4% ) * 0.25 ) );'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-equal-height-columns fusion-no-small-visibility fusion-no-medium-visibility\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:5%;padding-left:0px;'><div class=\"fusion-builder-row fusion-row\"><div  data-animationtype=\"fadeInLeft\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5 fusion-builder-column-2 fusion-three-fifth fusion-column-first fusion-animated 3_5\"  style='margin-top:20px;margin-bottom:20px;width:60%;width:calc(60% - ( ( 7% ) * 0.6 ) );margin-right: 7%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-text\"><p class=\"p1\">He studies painting during 1950 with his first teacher, Ra\u00fal Russo. In 1951 he attends the Andr\u00e9 Lothe Academy in Paris, and visits museums in France, Italy, Spain, England, Belgium and Holland.<\/p>\n<p class=\"p1\">In the mid 50\u2019s returns to Argentina, with his first wife, Terry Hanrahan.<span class=\"Apple-converted-space\">\u00a0 <\/span>But his stay is brief, because in 1955 travels to the USA and stays there for three months,<span class=\"Apple-converted-space\">\u00a0 <\/span>during that year his daughter Katherine is born.<\/p>\n<p class=\"p1\">In 1956, divorced and back in Buenos Aires, he meets Silvia Torras, a young Fine Arts student, together they build a profound personal and artistic relationship.<\/p>\n<p class=\"p1\">From 1956 he begins to develop a series of collages and oil paintings- made with rags, cloths, cardboard, blankets, which are a central part of the artistic languaje renawal in Argentina.<span class=\"Apple-converted-space\">\u00a0 <\/span>Between 1958 and 1960 produces his series of<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cSuburban Landscapes\u201d, assamblages made with wood, tree bark, veneers extracted by Kemble from slums in C\u00f3rdoba. In 1958 he exhibits for the first time at the Pizarro Gallery, in the <i>Arte Nuevo<\/i> showing. In 1961 he carries out the Destructive Art exhibition at the Lirolay Gallery, an experience that opened the path for Conceptualism in Argentina, and the experiences that will be carried out at the Di Tella Institute and the CAYC \u2013 Center for Art and Experimentation \u2013 during the 1960s \u2018and 70\u2019.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInRight\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5 fusion-builder-column-3 fusion-two-fifth fusion-column-last fusion-animated 2_5\"  style='margin-top:20px;margin-bottom:20px;width:40%;width:calc(40% - ( ( 7% ) * 0.4 ) );'><div class=\"fusion-column-wrapper\" style=\"overflow:hidden;border-radius:0px 0px 0px 120px;padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Madre-buena-parada-Oleo-sobre-hardboard-VENDIDA-A-JEAN-CHERQUI-120-x-90-cm-1958.jpg');background-position:center bottom;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;border-radius:0px 0px 0px 120px;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Madre-buena-parada-Oleo-sobre-hardboard-VENDIDA-A-JEAN-CHERQUI-120-x-90-cm-1958.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:600px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><style type=\"text\/css\">.fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link) , .fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link):before, .fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link):after {color: #181818;}.fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link):hover, .fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link):hover:before, .fusion-fullwidth.fusion-builder-row-2 a:not(.fusion-button):not(.fusion-builder-module-control):not(.fusion-social-network-icon):not(.fb-icon-element):not(.fusion-countdown-link):not(.fusion-rollover-link):not(.fusion-rollover-gallery):not(.add_to_cart_button):not(.show_details_button):not(.product_type_external):not(.fusion-quick-view):not(.fusion-rollover-title-link):hover:after {color: #181818;}.fusion-fullwidth.fusion-builder-row-2 .pagination a.inactive:hover, .fusion-fullwidth.fusion-builder-row-2 .fusion-filters .fusion-filter.fusion-active a {border-color: #181818;}.fusion-fullwidth.fusion-builder-row-2 .pagination .current {border-color: #181818; background-color: #181818;}.fusion-fullwidth.fusion-builder-row-2 .fusion-filters .fusion-filter.fusion-active a, .fusion-fullwidth.fusion-builder-row-2 .fusion-date-and-formats .fusion-format-box, .fusion-fullwidth.fusion-builder-row-2 .fusion-popover, .fusion-fullwidth.fusion-builder-row-2 .tooltip-shortcode {color: #181818;}#main .fusion-fullwidth.fusion-builder-row-2 .post .blog-shortcode-post-title a:hover {color: #181818;}<\/style><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-equal-height-columns fusion-no-large-visibility\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:5%;padding-left:0px;'><div class=\"fusion-builder-row fusion-row\"><div  data-animationtype=\"fadeInDown\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-4 fusion-one-full fusion-column-first fusion-column-last fusion-animated 1_1\"  style='margin-top:20px;margin-bottom:7%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 10% 0px 10%;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-text\"><p class=\"p1\">He studies painting during 1950 with his first teacher, Ra\u00fal Russo. In 1951 he attends the Andr\u00e9 Lothe Academy in Paris, and visits museums in France, Italy, Spain, England, Belgium and Holland.<\/p>\n<p class=\"p1\">In the mid 50\u2019s returns to Argentina, with his first wife, Terry Hanrahan.<span class=\"Apple-converted-space\">\u00a0 <\/span>But his stay is brief, because in 1955 travels to the USA and stays there for three months,<span class=\"Apple-converted-space\">\u00a0 <\/span>during that year his daughter Katherine is born.<\/p>\n<p class=\"p1\">In 1956, divorced and back in Buenos Aires, he meets Silvia Torras, a young Fine Arts student, together they build a profound personal and artistic relationship.<\/p>\n<p class=\"p1\">From 1956 he begins to develop a series of collages and oil paintings- made with rags, cloths, cardboard, blankets, which are a central part of the artistic languaje renawal in Argentina.<span class=\"Apple-converted-space\">\u00a0 <\/span>Between 1958 and 1960 produces his series of<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cSuburban Landscapes\u201d, assamblages made with wood, tree bark, veneers extracted by Kemble from slums in C\u00f3rdoba. In 1958 he exhibits for the first time at the Pizarro Gallery, in the <i>Arte Nuevo<\/i> showing. In 1961 he carries out the Destructive Art exhibition at the Lirolay Gallery, an experience that opened the path for Conceptualism in Argentina, and the experiences that will be carried out at the Di Tella Institute and the CAYC \u2013 Center for Art and Experimentation \u2013 during the 1960s \u2018and 70\u2019.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeIn\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-5 fusion-one-full fusion-column-first fusion-column-last fusion-animated 1_1\"  style='margin-top:0px;margin-bottom:0px;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Madre-buena-parada-Oleo-sobre-hardboard-VENDIDA-A-JEAN-CHERQUI-120-x-90-cm-1958-226x300.jpg');background-position:center bottom;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Madre-buena-parada-Oleo-sobre-hardboard-VENDIDA-A-JEAN-CHERQUI-120-x-90-cm-1958-226x300.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:530px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-equal-height-columns fusion-no-small-visibility fusion-no-medium-visibility\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:5%;padding-right:0px;padding-bottom:5%;padding-left:0px;'><div class=\"fusion-builder-row fusion-row\"><div  data-animationtype=\"fadeInLeft\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5 fusion-builder-column-6 fusion-three-fifth fusion-column-first fusion-animated 3_5\"  style='margin-top:20px;margin-bottom:20px;width:60%;width:calc(60% - ( ( 7% ) * 0.6 ) );margin-right: 7%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/01-Apeadero-para-gato-verde-Objeto-95-x-80-x-53-cm-1962.jpg');background-position:center bottom;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/01-Apeadero-para-gato-verde-Objeto-95-x-80-x-53-cm-1962.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:300px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInRight\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5 fusion-builder-column-7 fusion-two-fifth fusion-column-last fusion-animated 2_5\"  style='margin-top:20px;margin-bottom:20px;width:40%;width:calc(40% - ( ( 7% ) * 0.4 ) );'><div class=\"fusion-column-wrapper\" style=\"border-top:2px solid #f1f1f1;padding: 20px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-2 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:16px;margin-bottom:16px;\"><h4 class=\"title-heading-left\" style=\"margin:0;\">First retrospective exhibition<\/h4><\/div><div class=\"fusion-text\"><p class=\"p1\">In 1963, the Buenos Aires Museum of Modern Art honors Kemble with his first retrospective exhibition and during the same year he exhibits individually at the Museum of Modern Art in Miami.<\/p>\n<p class=\"p1\">During that year, he breaks up with Silvia Torras and meets Julie Capp, with whom he marries in his third nuptials. Kemble will move with her to Boston, USA, where he will live until 1965.<\/p>\n<p class=\"p1\">Between 1960 and 1972 he works as art critic for the <i>Buenos Aires Herald <\/i>newspaper, between 1968 and 1972 is the Director of the Lujan Museum, and in 1962 he starts teaching at the \u00a0Ernesto de la C\u00e1rcova Higher School of Fine Arts, a task he previously carried out in his workshop and that will continue all his life.\u00a0During 1968 he meets Berta Haendel, his fourth wife and mother of Julieta, his second daughter, born in 1971.<\/p>\n<p class=\"p1\">In 1972 wins the first prize for painting in the National Salon of Plastic Arts Manuel Belgrano. The decade of 1970 will be fruitful for his artistic and critic output: his writings \u201c\u201cThe Painting does not move, does not make noise and is not a means of communication, luckily\u201d -1971 -, \u201cCultural Autocolonization I and II \u201dAnd\u201c In defense of the Academy \u201d-1976 are published in various media.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  class=\"fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-8 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height 1_1\"  style='margin-top:20px;margin-bottom:20px;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:10%;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInLeft\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5 fusion-builder-column-9 fusion-two-fifth fusion-column-first fusion-animated 2_5\"  style='margin-top:20px;margin-bottom:20px;width:40%;width:calc(40% - ( ( 7% ) * 0.4 ) );margin-right: 7%;'><div class=\"fusion-column-wrapper\" style=\"border-top:2px solid #f1f1f1;padding: 20px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-3 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:16px;margin-bottom:16px;\"><h4 class=\"title-heading-left\" style=\"margin:0;\"><div class=\"text-wrap tlid-copy-target\">\n<div class=\"result-shield-container tlid-copy-target\" tabindex=\"0\">The 80s &amp; 90s<\/div>\n<\/div><\/h4><\/div><div class=\"fusion-text\"><p class=\"p1\">Through the 80s he exhibits on his own at the galleries Alberto El\u00eda-1980, Ruth Benzacar-1985,87, 89 and at the Center of Art and Communication- CAYC, 1988. In 1983 is awarded as best teacher by the Argentine Association of Art Critics, and later in 1985 as best artist of the year, prize given by the same insitution.<\/p>\n<p class=\"p1\">In 1987, art critic Rafael Squirru publishes the book \u201cKenneth Kemble, critical and biographical essay.\u201d<\/p>\n<p class=\"p1\">In the 1990 decade, Kemble exhibits his work at the Gallery Rubbers-1990, the Ibero-American Cooperation Institute -ICI, 1994-, Nexus Gallery -1998.In 1994 he recieves the Grand Award of Honor of the Salon of Plastic Arts. Between 1995 and 1998 two big retrospective exhibitions are held, the first one at the National<span class=\"Apple-converted-space\">\u00a0 <\/span>Exhibition Galleries and the latter at Recoleta Cultural Center,<span class=\"Apple-converted-space\">\u00a0 <\/span>called The Great Breakthrough, Works (1956-1963), under the curator Marcelo Pacheco.<\/p>\n<p class=\"p1\">Kemble passes away on April 30, 1998. Leaving behind a myriad of works, poems and writings. His ashes lie on La Falda, C\u00f3rdoba, his shelter, where he used to do what he loved the most: eating, painting, reading and above all things, listening to music.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInRight\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5 fusion-builder-column-10 fusion-three-fifth fusion-column-last fusion-animated 3_5\"  style='margin-top:20px;margin-bottom:20px;width:60%;width:calc(60% - ( ( 7% ) * 0.6 ) );'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2019\/03\/03-En-los-aposentos-de-la-infanta-cautiva-Acri\u0301lico-sobre-tela-174-x-174-cm-.-1968.jpg');background-position:center bottom;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2019\/03\/03-En-los-aposentos-de-la-infanta-cautiva-Acri\u0301lico-sobre-tela-174-x-174-cm-.-1968.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:300px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-5 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-equal-height-columns fusion-no-large-visibility\"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:5%;padding-right:0px;padding-bottom:5%;padding-left:0px;'><div class=\"fusion-builder-row fusion-row\"><div  data-animationtype=\"fadeInDown\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5 fusion-builder-column-11 fusion-three-fifth fusion-column-first fusion-animated 3_5\"  style='margin-top:20px;margin-bottom:20px;width:60%;width:calc(60% - ( ( 7% ) * 0.6 ) );margin-right: 7%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/01-Apeadero-para-gato-verde-Objeto-95-x-80-x-53-cm-1962-246x300.jpg');background-position:center center;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/01-Apeadero-para-gato-verde-Objeto-95-x-80-x-53-cm-1962-246x300.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:250px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInDown\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5 fusion-builder-column-12 fusion-two-fifth fusion-column-last fusion-animated 2_5\"  style='margin-top:20px;margin-bottom:20px;width:40%;width:calc(40% - ( ( 7% ) * 0.4 ) );'><div class=\"fusion-column-wrapper\" style=\"border-top:2px solid #f1f1f1;padding: 20px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-4 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:16px;margin-bottom:16px;\"><h4 class=\"title-heading-left\" style=\"margin:0;\">First retrospective exhibition<\/h4><\/div><div class=\"fusion-text\"><p class=\"p1\">In 1963, the Buenos Aires Museum of Modern Art honors Kemble with his first retrospective exhibition and during the same year he exhibits individually at the Museum of Modern Art in Miami.<\/p>\n<p class=\"p1\">During that year, he breaks up with Silvia Torras and meets Julie Capp, with whom he marries in his third nuptials. Kemble will move with her to Boston, USA, where he will live until 1965.<\/p>\n<p class=\"p1\">Between 1960 and 1972 he works as art critic for the <i>Buenos Aires Herald <\/i>newspaper, between 1968 and 1972 is the Director of the Lujan Museum, and in 1962 he starts teaching at the \u00a0Ernesto de la C\u00e1rcova Higher School of Fine Arts, a task he previously carried out in his workshop and that will continue all his life.\u00a0During 1968 he meets Berta Haendel, his fourth wife and mother of Julieta, his second daughter, born in 1971.<\/p>\n<p class=\"p1\">In 1972 wins the first prize for painting in the National Salon of Plastic Arts Manuel Belgrano. The decade of 1970 will be fruitful for his artistic and critic output: his writings \u201c\u201cThe Painting does not move, does not make noise and is not a means of communication, luckily\u201d -1971 -, \u201cCultural Autocolonization I and II \u201dAnd\u201c In defense of the Academy \u201d-1976 are published in various media.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInDown\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_3_5 fusion-builder-column-13 fusion-three-fifth fusion-column-first fusion-animated 3_5\"  style='margin-top:20px;margin-bottom:20px;width:60%;width:calc(60% - ( ( 7% ) * 0.6 ) );margin-right: 7%;'><div class=\"fusion-column-wrapper\" style=\"padding: 0px 0px 0px 0px;background-image: url('https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Sin-ti\u0301tulo-Esmalte-sinte\u0301tico-sobre-tela-180-x-270-cm-1963-300x201.jpg');background-position:center bottom;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"https:\/\/kennethkemble.com\/wp-content\/uploads\/2021\/04\/16-Sin-ti\u0301tulo-Esmalte-sinte\u0301tico-sobre-tela-180-x-270-cm-1963-300x201.jpg\"><div class=\"fusion-sep-clear\"><\/div><div class=\"fusion-separator fusion-full-width-sep sep-none\" style=\"margin-left: auto;margin-right: auto;margin-top:250px;\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div  data-animationtype=\"fadeInDown\" data-animationduration=\"0.8\" data-animationoffset=\"100%\" class=\"fusion-layout-column fusion_builder_column fusion_builder_column_2_5 fusion-builder-column-14 fusion-two-fifth fusion-column-last fusion-animated 2_5\"  style='margin-top:20px;margin-bottom:20px;width:40%;width:calc(40% - ( ( 7% ) * 0.4 ) );'><div class=\"fusion-column-wrapper\" style=\"border-top:2px solid #f1f1f1;padding: 20px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;\"   data-bg-url=\"\"><style type=\"text\/css\"><\/style><div class=\"fusion-title title fusion-title-5 fusion-sep-none fusion-title-text fusion-title-size-four\" style=\"margin-top:16px;margin-bottom:16px;\"><h4 class=\"title-heading-left\" style=\"margin:0;\"><div class=\"text-wrap tlid-copy-target\">\n<div class=\"result-shield-container tlid-copy-target\" tabindex=\"0\">\n<div class=\"text-wrap tlid-copy-target\">\n<div class=\"result-shield-container tlid-copy-target\" tabindex=\"0\">The 80s &amp; 90s<\/div>\n<\/div>\n<\/div>\n<\/div><\/h4><\/div><div class=\"fusion-text\"><p class=\"p1\">Through the 80s he exhibits on his own at the galleries Alberto El\u00eda-1980, Ruth Benzacar-1985,87, 89 and at the Center of Art and Communication- CAYC, 1988. In 1983 is awarded as best teacher by the Argentine Association of Art Critics, and later in 1985 as best artist of the year, prize given by the same insitution.<\/p>\n<p class=\"p1\">In 1987, art critic Rafael Squirru publishes the book \u201cKenneth Kemble, critical and biographical essay.\u201d<\/p>\n<p class=\"p1\">In the 1990 decade, Kemble exhibits his work at the Gallery Rubbers-1990, the Ibero-American Cooperation Institute -ICI, 1994-, Nexus Gallery -1998.In 1994 he recieves the Grand Award of Honor of the Salon of Plastic Arts. Between 1995 and 1998 two big retrospective exhibitions are held, the first one at the National<span class=\"Apple-converted-space\">\u00a0 <\/span>Exhibition Galleries and the latter at Recoleta Cultural Center,<span class=\"Apple-converted-space\">\u00a0 <\/span>called The Great Breakthrough, Works (1956-1963), under the curator Marcelo Pacheco.<\/p>\n<p class=\"p1\">Kemble passes away on April 30, 1998. Leaving behind a myriad of works, poems and writings. His ashes lie on La Falda, C\u00f3rdoba, his shelter, where he used to do what he loved the most: eating, painting, reading and above all things, listening to music.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"100-width.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/pages\/150"}],"collection":[{"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":4,"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/pages\/150\/revisions"}],"predecessor-version":[{"id":1347,"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/pages\/150\/revisions\/1347"}],"wp:attachment":[{"href":"https:\/\/kennethkemble.com\/es\/wp-json\/wp\/v2\/media?parent=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}